Kavindu & Upani
A quieter, more minimal wedding gallery built around a white palette, controlled portraiture, and a few strong monochrome frames.
This set works because it is disciplined in a different way. The visual language stays clean and architectural, then opens into collage pages and tighter emotional close-ups without becoming noisy.
Used alongside the other two albums, it gives the galleries page a third tone: lighter than Sachini, more graphic than Sanuvi, and better suited to a restrained editorial flow.








































































